The Freedom of Herds

The history and trauma of two men, brought together by war, is exposed when a mysterious visitor treads familiar ground.

Ray's World

A guy named Ray tries to go to sleep and a sasquatch gets into funky business.

Negativ

A photographer during the Soviet-Afghan war becomes obsessed with a mysterious figure that appears in his images every time the person photographed dies.

Pandemonium

Diana Wilted Forever

Succeeding in entering the past, a young man meets his favorite actress whom he adulates with passion. His identifying urges emerge, and the desire of replacement prevails : he makes his idol live forever.

House

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.

A Certain Dream

A female hotel employee wanders around different guestrooms and searches for an unreachable dream. Wandering in other people’s dreams, she encounters a mysterious guest and hears a story about a woman who dances deep inside her dream and a dancing procession...

Death in Vegas

The life, death, and resurrection of Elvis Presley, as he is transformed from man into product. Composed primarily of an illustrated biography filmed with a microscope camera.

Mother of Fog

In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)

A Draughtsman Illusion

I Should Call Her

An overly anxious man mysteriously finds himself unable to leave a bathroom.

Isolation

A meditation on isolation through paint textures, video collage and sound

Nostalgia for the Lake

A vision from Limbo, where the canoeist of the eternal lake floats in his boat, between sleep and wakefulness. When he sleeps, he dreams of the everyday of a parallel time. when he wakes up, the same song haunts him again and again. his boat, “ara” (time, in guarani) travels through time like a shooting star.

Woman Is My Last Name

This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.

Woolgathering

A collection of interwoven images are threaded together by a string of unspecified women who roam their dreamscape which they are unable to escape. They are displaced, belonging to no particular point in time or place, and a disoriented sense of self pervades. Together, the film becomes a quietly throbbing organism of reality and unreality, and the gaps between an impending present and a perpetual past are frail.

As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Mayhem

A broken memory.